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Shop Talk: Taking a Shot at Online Art Theft
Image Lock Pretreatment Fluid from Lawson
Mimaki Adds 64-Inch UV Printer/Cutters
Mactac Announces Clear Application Tape
Chromaline Releases ChromaLime Update
magazine experience by exploring our interactive digital edition.
Mark A. Coudray
Controlling Image Resolution for Halftone Output
Coudray explains how to fix customer-supplied image files to achieve the best results possible.
My Personal Prepress Peeves
Here, Coudray highlights several common mistakes that top his list of prepress annoyances.
Halftone-Angle Combinations for nColor Separations
Learn how to work extra color separations into your jobs without creating moiré in your prints.
Screenmaking:The Gateway to Image Quality
Coudray identifies environmental factors and processing concerns that you need to control in order to produce reliable, high-quality printing screens.
Tricks for Fixing Bad Images
Coudray describes techniques you can use to overcome resolution, color, image-quality, and file-format issues.
Making the Most of Pin Registration
Discover how to refine each step of the prepress workflow so you can realize the benefits of pin registration.
All Things Are Not as They Appear
Coudray explains how following time-honored recommendations for pairing halftone line coutns can lead to undesirable printed results.
Combining Conventional and Stochastic Halftones to Overcome Moiré
Learn how to overcome naturally occurring moiré by combining conventional and stochastic halftones on the same printing screen.
The Realities of Implementing Computer-to-Screen Imaging
Creating Underbases and Detail-White Printers
Assessing and Controlling Textile Dot Gain
Tuning Your Print Procedures for a Color-Managed Workflow
Tuning Your Print Procedures for a Color-Managed Workflow, Part 2
Describing, Specifying, and Using Digital Digital Color Space
Hitting Halftone Targets Through Linearization, Part 2
The Realities of Color Matching
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