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Process-Color Pad Printing

(January 2002) posted on Wed Jan 30, 2002

The authors explain machine tolerances, color-separation quality, ink characteristics, and pad specifications.


By Carol Swift, Peter Kiddell

To extend the life of your pads, maintain their condition as recommended by the manufacturer. For more information on pad maintenance, see our article, "Understanding the Pad in Pad Printing," Screen Printing, May '95, page 111.

Cliche position and etching accuracy The cliche is potentially the most problematic variable in the process for newcomers to pad printing. Printers have two options when setting up cliches for image transfer.

The first method is to use a single cliche etched with each of the four separations. Machines that use this approach offer very limited adjustment options, which means the images must be accurately etched and precisely positioned. The other, more preferable, option is to use four separate cliches, each carrying a single color. Presses that use this system offer greater flexibility in making registration adjustments between colors.

When setting up your press, try not to compromise the positional accuracy of your cliche(s). Without targets, achieving accurate registration can be difficult, but you can get around this problem by looking at the printed image and selecting three positions in the design where all the colors are prominent. These points ideally will be straight edges or uniform geometric shapes against which misregistered colors will be most readily apparent.

Also aim for the characteristic rosette shape that you see in all well-registered process-color prints. We can't count the number of times we've heard printers say "the color is right, but it's not in register." With four-color process this is simply not possible. If it's out of register, the color will be wrong.

Although the etch depth of the cliche doesn't influence registration accuracy, it plays a role in the color accuracy of the print. Basically, you can follow one of two approaches when etching: You can etch every cliche to the same depth and adjust color intensity by modifying the ink. Or you can adjust etch depth independently for each color to provide the desired color intensity.

We prefer the first option because ink adjustments are easier to accommodate. However, if you use this approach, you must be very precise in your ink mixing and keep accurate records of any adjustments you make.

Curing multicolor UV prints


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